This week, I decided to work on something that had burdened
me the most as an artist: colors and shading.
I would consistently waste entire tubes of paint trying to lighten a
shade, for a color that only occurred in three specks on a painting. To work on
color mixing and shading, you need to have a very diverse color scheme to base
off. But what is relatively colorful and
easier to paint? This marked the
beginning of my weekly adventure: find a cool picture.
Day 1 (2/18): Painting the Blues
Naturally, this meant choose a painting with vibrant colors and some contrast. So I chose this:
| A pretty rocky island |
This photo had lots of blue and green colors, which both
involve a lot of mixing with both hues and tints, something with dire need of
improvement. If I can't properly make colors,
how will I paint? So immediately, I
printed the photo out, and designed its proportions onto the larger
canvas. Hours were spent yelling at a
crooked square, or an annoying pencil smudge, but eventually I realized I was
just going to paint over it anyway.
| "No one's going to see this anyway, right?" |
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| A shaky .gif of the creation of the sky. On one of the frames, you can say hi to the creator himself! |
After giving up hope to the point I used a paint knife to scrape off layers, (a desperate failure) I decided just to work on the sea. I had actually used more turquoises before (What? It looks nice!), and even though I was working from background to foreground, I decided to mess up the order. Unfortunately, at 11:00 PM at night, you become too tired for documentation, at least with oils, you don't need to clean up right away. Oil isn't known for drying, and that is a huge double-edged sword for a mess waiting to happen. Anyway, onto the next day.
Day 2 (2/19): Land Ho!
Disclaimer: I did not create the sea in 10-15 seconds, as the .gif shows
Like I said, at 11 PM, people are far from their peak,
unless they're a zombie, something I might become during freshman year. But Sunday was an absolute... success? Like I said, I thought the sea turned out
well, and that the gradual move to the turquoise coast was a highlight. I then decided, the cloud was made, the sea
was at a straight level, what is to keep me from painting the island? I got a lot of it done, but my shades were
way off, as light lime meadows conflicted with... teal? How do you get teal on a tree covered
island?!
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| No idea why this .gif just stops. I gave it THREE hours (of upload time) |
Frustration aside, the island was in the right shape, a
round end, a pointy end, dark hilltops, light meadows near the coast, etc. And I even shaded the cloud, the comfortable
blanket over the island. For someone who
couldn't even paint one color the first day, I felt pretty achieved.
I left the painting mostly like that during the weekdays,
but I did come back and make minor edits now and then, mostly after I came back
home. On Friday, the sky's true color
started to form, as I decided to just add small globs of blue, giving the sky
less of a gray, and more of a blue. By
Friday, I had pretty much finished my painting, with a few additions on
Saturday. Anyway, take it away to
Sunday!
Days 3-9 Monday-Sunday (2/20-26)
Because GIF makers run slower than my mile time, I just ran a HUGE mega-gif. The lighting can get really bad, because sunlight isn't always available for six straight days.
You made it through all 300< slides of the MEGA.gif! Internet about to crash? No? Me neither, but my computer gave me 10 error messages before having a seizure on Finder. Isn't that just awesome, more flashing. Marginal edits were made and in the end, the result of nine days brought this:
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| Hi! I look pretty decent for someone who hasn't taken an art class since elementary! |
Amazing? No way, but if you look at the composite:
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| Painting overlaid the original photo |
Now that the details are outlined, let's go over our adventure.
Lessons Learned
Many things have been learned through my painting adventure. Instead of writing a whole narrative essay, I feel like they could be summed up in bullet points.
1. Color
1. Color
My focus was on color mixing, so I hope I learned something about it, and sure enough, I improved. The dark greens that represent the two hills are not distinct, but they are pretty close. Looking back, the ocean could be a little darker, but the coast seems to be solid. Also that strip (peninsula) is awkward, it blended in a little with the coast. Even though I thought that color mixing and blending was my main concern, it seemed like other concerns arose. In order of my success color matching in major objects, from perfect to pathetic, I'd go with:
- Cloud (Blending on the right could be calmer however)
- (Close Second) Ocean (darker ripples, coast is good)
- Sky (Managed to pull it off)
- Island (Not enough lighter tones, dark blends good)
2. Proportion
I don't blame my sketch for this one, despite yelling at it so much. But the first noticeable difference is how the hill isn't that steep, or that tall, or that low. The ocean seems to be a little lower than it is supposed to be, but that isn't a big deal. Noticing the faded painting overlap the sky, I would give myself at best a 60% success rate at painting the peaks, That's terrible, but inside the painting without the source, it would look normal. The valleys of the peaks don't have enough depth, looking all like one misshapen hill in the background.
3. Conservation
Whoever said that haste makes waste, preach! Through mixing, blending, and the repeating 10,000 times, I'm pretty sure I used at least a 1/4 pound of paint. I've already run out of two out of six colors (Easy to guess which two), and I'm not sure if I will use turquoise and aqua in the next week. Either way, I am burning through paint. It dawned around Friday, or even Thursday when I was working: mixing wouldn't be so hard if so many things weren't being mixed at once. What I mean was I was painting my palette more than my actual painting. How productive!
So by now, you could have picked up a contradiction, or hyperbole, but that's really how things went sometimes, and failed at other times. But no matter what, there was a takeaway. Clouds are really nice to blend in with the sky, and land is not, unless you want a olive green haze. But the overarching theme? Moderation.
Moderation? But why, when you have learned how to slant a hill, or give a cloud some transparency? Because moderation needs to be used everywhere. Do what you need, and if you need a little more, make sure its because you've actually completely run out, and not because it would make you feel better. If the paintbrush doesn't get paint after a good swipe over the puddle, refill. Use all of a color, and then make a new color if needed. Just don't make turquoise, than realize you need sky blue, and then need turquoise again, to the point where you are making sky blue off a tissue. Moderation, do only what needs to be done, and nothing more. I think this really hit me personally too, as I also deal with issues of going over the top. I am in no way a perfectionist, yet sometimes I do a lot more than I need to do to get something done. After all, all these troubles could have been prevented by moderation. Just a thought to ponder, and why not to overcomplicate and overestimate things.
And oh yes, the title! Yeah, I feel like that it's not only a hobby, through all the stains and all the smears, I'm really going to enjoy painting. I feel like that this is just a brand new way of creativity for me, and although I may be bad now, it can really only get better, like a brand new shade of your favorite color that you might love. Now I'm going to be honest, I have no idea what I'm going to paint next post, but I'll find something new to do. Anyway readers, good night! I can't believe it's only 10:30!
Sources (The really boring part)
Now I don't want to get sued or anything like that, so the paintings, photographs and .gifs will all belong to me, and if I ever use other photos (memes are the new craze on the Bloggers) they will still be mine. -A





I have to say that the level of artistic expression in your painting is amazing for someone who hasn't taken many [advanced] art classes! Not only does it slightly replicate the original image, but it adds a pinch of simplicity and traditional style to it.
ReplyDeleteKeep up the good work!
You did really well on this painting! Do you plan on continuing focusing on color mixing, or are you going to move onto other skills?
ReplyDeleteI don't know quite yet, but I plan on emphasizing the focus on textures, but will continue to use color mixing, as blending is a mix of both.
ReplyDeleteHave you done any research on color theory? It might help you with some of your problems with knowing how much of which colors to use to get the one you want.
ReplyDeleteI have done a little research on color theory, like how complementary colors go together, and how split complementary can be more vibrant. But, when pigments are used on a little palette, getting the perfect shade can be difficult.
DeleteThat painting is great! I hope you realize that you have become a better artist in the past 2 weeks than I have been my whole life! It's truly crazy how much some practice helps. The details are really good! I just wanted to know, with the style of painting that you're doing, are you going to be making exclusively natural-themed paintings, or will you also make more abstract works of art? I think your painting skills are great! Good luck!
ReplyDeleteI could do a mix of both abstract and nature. More of my photos could be more natural, but architecture is also a possibility. If I were to do abstract, it would most likely be based on something natural like a cool pastel sunrise, as I right now need a source to paint from.
DeleteAustin,
ReplyDeleteYour paintings look great!! I've never been quite the artist myself, but this gives me the inspiration to start! Are you going to be working on primarily color mixing or will you add in more as you go? Also, have you started to think about experts? Would you be picking an art teacher or an art professor and such? Your artistic skills are looking really good so far, and I can't wait to see how far they grow!
I expect to have a new focus this week, more on textures and feelings, but still emphasizing color mixing, as color is important to how the texture blends in. I am actually going to a painting studio on Saturday, and will say how that goes.
DeleteLet me just say that this painting looks AMAZING. It is way better than anything I could have done. As for your concerns about color mixing, I think that using anymore green on the island would distort the realistic feel of the painting. What school will you be attending to get even better?
ReplyDeleteThanks James for the compliment! The school I am going to attend to learn painting is not necessarily a school, but it is at a school. They have rented out their art studio for painters needing to paint, which is really nice, with tutors who can give advice and provide views on the paintings.
ReplyDeleteAustin, I love your painting! The .gif was a really good idea. How did you place the camera? I want to try that for my drawings! I think your use of color was very nice as the different shades of green really added to the overall texture. All in all, great work, and I look forward to seeing your progress!
ReplyDelete- Panav
I mainly held the camera in my hands, as it can be worn around the neck. Unfortunately, I have found less and less opportunities for this documentation as of recently.
ReplyDelete